نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی مقطع دکتری رشته علوم قرآن و حدیث دانشگاه اصفهان
2 گروه آموزشی علوم قرآن و حدیث، دانشکده الهیات و معارف اهل البیت(ع)، دانشگاه اصفهان، اصفهان، ایران
3 استاد، گروه قرآن پژوهی، پژوهشگاه حوزه و دانشگاه، قم، ایران
چکیده
کلیدواژه‌ها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
This study systematically investigates the interplay between the inherent musicality of Quranic words and the semantic structure of its verses. It adopts an innovative approach and a pheno-semantic analytical framework that precisely connects phonological, syllabic, and semantic variables. The necessity of this research stems from the fundamental question of how the internal music of the text, beyond its mere acoustic appeal, plays a crucial role in conveying profound and multifaceted meanings. By addressing the gap in previous studies, which often focused solely on the phonetic and aesthetic aspects, this research clarifies a new dimension of the Quran’s rhetorical and substantive miracle. The research method is descriptive-analytical, and the data consists of numerous examples from the Holy Quran. These data were collected and analyzed through a comprehensive examination of the elements that generate internal music, such as the properties of letters, verse intervals, repetition, and prosodic meter.
A significant innovation of this research is the explanation of the central role of internal music in the multifaceted meaning within a single application. This implies that sound and meaning are manifested as mirrors of each other, and the close relationship between musical features and the meaning of the verses leads to a deeper understanding of the Quran's beauty.
کلیدواژه‌ها [English]
)